Apsc Vs Super 35: Which Is The Best For Filmmakers?

Introduction

When it comes to filmmaking, choosing the right camera can make all the difference in the final product. Two of the most popular sensor sizes used in cameras are APSC and Super 35. In this article, we’ll explore the differences between these two sensor sizes and help you decide which one is best for your filmmaking needs.

What is APSC?

APSC is a sensor size that is commonly found in entry-level and mid-range cameras. The sensor measures approximately 23.6mm x 15.6mm, making it smaller than full-frame sensors but larger than micro four thirds sensors. APSC sensors are known for their affordability and versatility, making them a popular choice for many filmmakers.

What is Super 35?

Super 35 is a sensor size that is commonly found in high-end cinema cameras. The sensor measures approximately 24.9mm x 18.7mm, making it slightly larger than APSC sensors. Super 35 sensors are known for their superior image quality and dynamic range, making them a popular choice for professional filmmakers.

Image Quality

When it comes to image quality, Super 35 sensors are generally considered to be superior to APSC sensors. This is because Super 35 sensors are larger, which allows them to capture more light and produce images with better dynamic range. However, this doesn’t mean that APSC sensors are bad. Many filmmakers have produced stunning images using APSC sensors, and with the right lighting and post-production techniques, you can achieve great results with either sensor size.

Focal Length

One of the advantages of using an APSC sensor is that it effectively extends the focal length of your lenses. This means that a 50mm lens on an APSC camera will have an effective focal length of around 75mm. This can be useful when shooting portraits or other types of close-ups. However, it’s worth noting that Super 35 sensors also have a crop factor, although it’s usually less than the crop factor of APSC sensors.

Depth of Field

Another factor to consider when choosing between APSC and Super 35 sensors is depth of field. Super 35 sensors are generally better at producing shallow depth of field, which can be useful when you want to isolate your subject from the background. However, this doesn’t mean that APSC sensors are bad at producing shallow depth of field. With the right lens and aperture settings, you can achieve great results with either sensor size.

Low-Light Performance

When it comes to low-light performance, Super 35 sensors are generally considered to be better than APSC sensors. This is because Super 35 sensors are larger, which allows them to capture more light and produce images with less noise. However, this doesn’t mean that APSC sensors are bad in low light. With the right lighting and camera settings, you can achieve great results with either sensor size.

Price

One of the biggest advantages of using an APSC sensor is the price. APSC cameras are generally more affordable than Super 35 cameras, making them a popular choice for filmmakers on a budget. However, it’s worth noting that there are some affordable Super 35 cameras on the market, such as the Blackmagic Pocket Cinema Camera 6K.

Conclusion

In conclusion, both APSC and Super 35 sensors have their advantages and disadvantages. APSC sensors are more affordable and versatile, while Super 35 sensors offer superior image quality and low-light performance. Ultimately, the choice between these two sensor sizes will depend on your filmmaking needs and budget. Whichever sensor size you choose, remember that the camera is just one tool in your filmmaking arsenal – the most important thing is your creativity and storytelling ability.